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Award winning composer Ari Posner on the Screen Composer’s Studio Podcast
At first, Winnipeg-born Ari Posner set out to build a career as a songwriter. After discovering that perhaps his abilities as a lyricist did not match his musical gifts, he moved into the fast-paced world of ads, which gave him the training to work in myriad styles and deliver on a deadline. Now, he is […]
Cristobal Tapia De Veer Joins Us on the Screen Composer’s Studio Podcast
Cristobal Tapia De Veer is a maverick whose consistently unique approach to scoring has finally, and deservedly, thrust him into the spotlight. His family fled the Pinochet dictatorship in Chile shortly after his birth, and while they returned for a time, they eventually made a new home in Quebec, where Cristobal still lives and works. While […]
New Site Walkthrough
INTRODUCING THE NEW SCREENCOMPOSERS.CA With this refreshed look you will easily be able to navigate and find the valuable resources, news and information your membership with the SCGC provides. We have reworked the options on your COMPOSER PROFILE which will enhance the experience of the FIND A COMPOSER tool and will provide an expanded view […]
IMDbPro – 25% discount code
Spotting Notes Spring 2022
View from the Podium by John Rowley, Vice President guest contributor “We need to talk writer’s share.” Ever heard that chilling line from someone with the power or influence to hire or fire you? Me too. It is an open secret that some players in our industry have made a practice of routinely […]
Vol.9 No.3 – Winter 2021
Vol. 9 No.2 – Summer 2021
The Screen Composer’s Studio – Red Heartbreaker (Premiering July 28th, 2021)
Red Heartbreaker is featured on this week’s episode of ‘The Screen Composer’s Studio’! Classically trained as a vocalist, Red got her start in cabaret and musical theater before she was bitten by the film scoring bug-a craft she says “combines all of the things”. She and her musical partner Maya Saxell won a Leo Award […]
SOCAN Statement On Writer’s Share Royalties & Buy-Outs
SOCAN has published an FAQ addressing writer’s share royalties on audiovisual productions, SOCAN’s “50/50 rule”, and buyouts. The SCGC encourages all composers to read the statement (link below). The statement provides composers and their representative with the facts they need to push back against any demand – either from a producer, its representative or a […]
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